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Adopting a Child-like Outlook jjjjjjjj


From The Path of the Mother



"Have you watched children play? They can imagine that a small sand heap is a big castle. At one moment white sand is sugar for them, and the next moment it is salt. A rope with its ends tied together becomes a car or a bus. For them a rock can be a throne, and a leaf becomes a big fan. . . This openness, the power to accept, is receptivity." ---Ammachi

While spiritual practices should be approached with intense commitment and resolve, they should not be a cause for too much severity. When we adopt the attitude of a child, we become more open to the guru's love and his/her teachings, more open to receive a physical guru if we don't yet have one. I've heard that all true masters are bubbling with joy, always ready to laugh; this is certainly true of my guru, Ammachi. While I might be afraid of her discipline, I know Mother is always dancing with love. Perhaps it would be good to start the child-like outlook practice with feelings of light-heartedness in mind. As Swamiji Amritaswarupananda said, underneath the serious face, underneath the disciplinary act, is always the smile, the smile that dances in eternity.

"If you want to be closer to God, try to be like a child. A child's world is full of wonder and imagination and play. . . . There is a child within everyone." ---Ammachi

Perhaps the following visualization will help stimulate your yearning for your guru or help you feel more lighthearted with your guru. The guided meditation sets a tone of levity and can be repeated any time you've found yourself getting too wooden in your approach. The child within you is an important link to the divine Mother.

"Children, the wonder and the love that you felt as a child will never return unless you can again play like a child. Innocence is within you, hidden deep inside. You have to rediscover it.ii To begin, sit or lie down in front of your altar" --Ammachi


Have some bubbly, meditative music playing in the background, such as Handel's "Water Music," Carlos Nakai's "Cycles: Music for Native American Flute," J.S. Bach's "Suites 1-4," "Golden Voyage," any music by Don Campbell or Larkin.

Imagine yourself walking down a deserted beach along the Caribbean, Hawaiian, or Polynesian sea shore. Sitting on a rock, take off your shoes. Leave your shoes there and continue walking, feeling the sand between your toes. While you stroll, your feet get wet as waves wash gently onto the shore.

You look out at the gentle rising and falling of the ocean swells and see dolphins playing and leaping in the waves. As they swim down the shore line, you skip to keep up with them. Then, in the distance you see the divine Mother walking towards you, wearing a white cloth. Her feet splash through the water. She walks out knee-deep into the waves, stretching out her arms towards the dolphins, calling them to her.

The Mother turns and motions for you to come near. There is a twinkle in her eye. She splashes you playfully and chuckles. Then she takes you by the hand and pulls you deeper into the ocean, into the waves where the dolphins swim. (Now let yourself be guided by your own imagination for ten or fifteen minutes while you and Mother play in the water with the dolphins.)

When your swim finishes, wade out of the water onto dry land. Watch as the divine Mother disappears down the beach and the dolphins become small specks swimming out to sea. Once again you are alone on the sandy shore, and you turn to head slowly back. At the rock where you left your shoes, sit down to put them on, and then continue walking homeward. As the image of yourself ambling down the beach dwindles, you become aware of your surroundings in your own home. Wiggle your toes, stretch your arms and legs, open your eyes, and look around the room. Take your time before getting up.

All the Practices:

Witnessing Meditation Adopting a Childlike Attitude Writing Letters to the Mother Meditating on The Beloved Deity

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